Author: Bernard Ozarowski

“Moon Knight” Is the Strongest Entry in the Disney+ MCU Canon Yet (Review)

March 29, 2022

Reactions to the 94th Academy Awards (Final Review Video)

March 28, 2022

94th Academy Awards Predictions (Final Review)

March 27, 2022

“More Than Robots” Is a Kind-Hearted Look at the Nerds Who Will Define Our Future (SXSW ‘22 Review)

March 25, 2022

Final Review Episode #23: Titanic (1997)

March 25, 2022

“Infinite Storm” Stands as a Showpiece for Naomi Watts’ Infinite Talent (Review)

March 25, 2022

“The Outfit” Feels Like a BBC Version of Reservoir Dogs (Review)

March 18, 2022

A Conversation with the Cast and Creators of “Halo” (SXSW ‘22)

March 18, 2022

A Conversation with Cinematographer John Rosario on “A Lot of Nothing” (SXSW ‘22)

March 18, 2022

“Cheaper by the Dozen” Has a Good Message, But a Flawed Execution (Review)

March 18, 2022

Final Review Episode #22: The Silence of the Lambs (1991)

March 17, 2022

“Master” Works Well as a Character Drama, But Stumbles in Its Genre Elements (SXSW ‘22 Review)

March 17, 2022